For Phyllis, Vajrayana Buddhism became meaningful not simply as a philosophy, but as an embodied spiritual path. Drawn naturally to movement, dance, yoga, ritual, and devotion, she discovered a way of practicing that brought the Dharma out of the realm of ideas and into the body.

Her connection deepened through the Mandala Dance of the 21 Praises of Tara, a Tibetan Buddhist practice weaving movement, visualization, mantra, creativity, and devotion together. After first witnessing the dance on a cliff in Kauai, Phyllis gradually found herself drawn into its mandala. What initially felt intimidating became a profound way of embodying Tara—the feminine expression of compassion, wisdom, protection, and awakened activity.

Through years of practice, Phyllis has witnessed the Tara Dance touch people far beyond conventional meditation. For her, this is part of the beauty of Vajrayana: awakening does not have to remain confined to the meditation cushion. The body can become part of the practice, movement can become meditation, and creativity can become a doorway into transformation.

Phyllis’s journey offers a vivid example of Buddhism lived beyond the cushion—where devotion becomes movement and the teachings are not simply understood, but embodied.